Turn the other cheek

This is a picture of a heart shaped red tree with red leaves surrounding it. My piece is a darkly humorous piece about the nature of love and hence the image.

Men with peace signs: We only want love.

Intelligent woman: So do something about it! There are two groups vehemently arguing.

Men with peace signs: We only want love.

Intelligent woman: Listen, we can stop this before things get messy. But I need your help. I’ll do the talking, and since you’re strong men, you can come between them if it comes to push and shove.

Men with peace signs: We only want love.

Intelligent woman: Stop saying that. You sound like the sheep in Orwell’s Animal Farm or poor line repetition in a bad villanelle.

Men with peace signs: We only want love.

Intelligent woman: See extreme pacifism doesn’t solve anything. I keep a gun in my pocket for self-defense. I get that you want love, but love is a verb. We have to do something.

Men with peace signs: We only want love.

Intelligent woman: Okay, I’ll stop being eloquent. Here’s a simple analogy: Say you have a flat tire; won’t you fix it? Look they’re shoving each other already. Please, I beg you. I’m only 5’4, and those guys look like thugs.

Men with peace signs: We only want love.

Intelligent woman: Okay, say I shot into the air, it’ll draw attention, but I’ll need your help. Will you help?

Men with peace signs: We only want love.

Intelligent woman: Look! They’re increasing in number. I think it’s some religious argument or something. We have to intervene!

Men with peace signs: We only want love.

Intelligent woman: Look! They’re punching each other now, and the number has increased. We have to stop this now!

Men with peace signs: We only want love.

Intelligent woman: Murder! Murder! It’s too late! It’s too damn late!

Men with peace signs: We only want love.

Intelligent woman: Stop saying that! Look what we’ve caused. I don’t think I can live with myself.

Men with peace signs: We only want love.

Intelligent woman: Say that once more, and I swear I’ll shoot you in the head.

Men with peace signs: We only want love.

Intelligent woman: Oh, so you want love, huh, you avant-garde moralists. I’ll show you what hate is if you do not stop! Say it, go on.

Men with peace signs: We only want love.

*Gunshots heard*

Judge: What you did was heinous and disgusting. You killed two innocent, educated men holding peace signs. They were only doing their best to protest against that horrible religious conflict that took place in front of you. Eight violent morons killed themselves. But two saints were martyred. You are as bad as Nero who burned people like these men. You will be shown those bloodstained peace signs in prison every day. And fortunately, in this state, we still use the electric chair. I will take pleasure in watching you burn, and hope there is a literal hell where you’ll burn some more. Death penalty! Death penalty! Death penalty!

Orange prison-robed woman: Please no! Please, I beg you! I only want love.

© Nitin Lalit Murali (2019)

Lucidity

This is a picture of water. I've used it to depict clarity because my piece is about my muse freeing me from all unnerving thoughts.

Have I told you that you’re my lucidity, the clearest thought that settles somewhere in the back of a shadowed mind, and slowly, gently, inch by inch lights it up, until I’m smiling again though my eyes are bloodshot and I’m staring like someone catatonic, looking through the phases of my life and time? You may not notice the smile, but it’s there, and the clarity your love gives me, even if it’s for a few moments is like a beautiful minimalistic piano piece by Einuadi or Allevi. It’s serene and absorbs me with a faint glow that slowly rises like a crescendo, building up very steadily and subconsciously, and it’s more than a jaded heart can hope for. I’ve walked the dark alleyways of littered purgatory, hoping for a cleansing from madness that possesses, but I only lose my way, and I’m trapped in a vicious circle, walking the same places over and again, the downpour chastising me, but then with soaked clothes, I remember that’s there more than a frightening, agonizing status quo. I remember you, and your grace and steel-blue strength: a tranquil yet sturdy resolve, your brown eyes possessing an allure that’s both subtly sensual and fiery, your way of handling the most complex situations with the simplest intuition, your beauty that draws me away from every other woman I’ve known, and I make my way home – earthy, with clothes clinging to me, feverish from the cold, and you pull me to you, despite it all, and kiss me ever so gently, and then this house we live in transforms – the muted bulbs become chandeliers, the worn couches become luxurious, the hard bed becomes soft, and the dust and echoes of trauma dissipate, and when we make love, it’s the apex of a together actualization, it’s the epitome of a together transcendence, because it’s deeper than lust. It’s a bond we’ve forged over years of an almost us, to finally taking the step and constructing our architecture that’s standing despite each storm of tribulation, despite each fire of unresolved hurt and bitterness, and I know we’ll heal, not because of the time we spend together, but because of what we share.

© Nitin Lalit Murali (2019)

An old friend

This is a picture of an aristocrat. I've used it to lampoon elitism. My post is about pseudo-intellectuals and poets who use verbose writing to convey simple points. The image complements it.

An old friend or one who says he’s one,
tells me he despises ‘high’ metaphor –
as if metaphor were the Tower of Babel,
which one climbs and climbs, until
everything disintegrates into talking in
tongues – but he writes with such verbosity,
that I need a Thesaurus to only figure out that
what’s going on is going on.

And that’s not the point of poetry is it?
Ask me to talk of loneliness, and I’ll
give you a demonic room with crumbling wallpaper,
torn chintz grey curtains, and threadbare couches
with rusty nails sticking out, the dust asphyxiating
you while the television’s grainy screened, but people
around you are paradoxically dancing and reveling in
the same grimy place, smoking their joints, carousing,
cuddling and kissing, perhaps even fucking, oblivious
to glances from dilated pupils.

Ask him to talk of loneliness and he’ll say,
“It’s a cacophonous Tophet where rumination
deliquesces and the recherché panache becomes
quotidian utilitarianism,” which basically means
that it’s a shit hole that deprives you of thought.

Well, he secretly admires me, and I, the size of
his lexicon, and we don’t need to talk about Autumn
or the Riemann hypothesis to figure that out.

I’ll smoke my cigarettes and drink my coffee
and he can sip his sherry while he’s eating caviar.

© Nitin Lalit Murali (2019)

The five stages of Grief with Binky the Clown

This is an image of a sad clown. I've used it because my post is about a heartbroken clown forced into self-deprecating work because of fate.

 

My job’s to make you laugh, to give you joy and to coat your hearts with effervescence, and that I’ll do as long as I’m standing on this stage. I lost my second wife a month ago, and since then I’ve spiraled into alcoholism. But I guess it’s better than shooting crap into my arm. I’ve lost my day job selling popcorn at the fair, and I’m struggling to foot the bills, to get by. But enough self-loathing. I’m here to make you laugh, to help take your minds off the stress of actuality.

You come here – every Friday night – after paying the cheap five-dollar entrance because you long for entertainment. You crave for more than sleazy motel room sex with hookers. You want me to make you laugh and then satiate your vulgar appetites. But all I have…okay enough of that!

You’re here now, and it’s time to make you laugh. I’ve worn the green nose and the green lipstick because that’s what Mayor Green favors. He won the lottery this week, and I was mad when the owner said, “It’s green today Binky.” I mean, green! Fuck man! You’re one egotistical prick, aren’t you? Even after all these years of snorting J&J’s Big C, some shred of malicious ego makes you want to humiliate me. Do I have to yell, “Green!” too while you proceed with whatever the fuck you plan on doing with me tonight. Then again, you’re entitled to your fetishes, and I knew what I was getting into when I signed up for this. So, I’m sorry sir. Please take no offense. And please don’t report me. This is all I have left!

I wish my wife, Molly the mime could pull me out of this rut I’m in. But she’s in heaven now, finally speaking, saying, “You’ll get through this Binky! Hang in there!” If only I could have prevented the accident, but we’re a circus, and we take risks. But still, I wish I was powerful and in command. I would have saved her then.

My job is to make you laugh, but I don’t have it in me. I’m exhausted and riddled with the most painful grief. So, take your turns, sirs. Let’s skip this showy sick display and get on with it. Snort your coke off my nose until your mustaches turn white and proceed with all the nasty shit you want to do. I’m all yours. Haha. Haha. Molly! Oh, Molly!

© Nitin Lalit Murali (2019)

Binky the Clown 

Nathaniel and June (Part 1)

This is an image of the blue sky and the clouds. The picture is more complex than my depiction of it and I've chosen it because it depicts depth and intricacy to me. My piece is an intricate portrayal of a relationship.

Nathaniel was a man of quirks and eccentricities. He was a self-absorbed artist who spent his time brooding. He was once an idealist, but years of looking at Fate’s rugged, unwashed face threw him in a pit of nihilism. Nathaniel loved June but found it hard to express himself and make her feel loved and respected. He’d brush off her attempts at conversation with a nonchalant ‘hmm,’ or a ‘uh huh.’ He’d spend hours losing himself to his art though he’d given up on his dreams of getting published. He’d realized some time ago that the road he walked on was potholed, broken and covered with layers of dust and ash like a waltzing grey swirl caressing each contour of the landscape. But that didn’t keep him from writing and writing, chasing the will-o’-the-wisp, and revolving on that carousel of delusion.

His was a peculiar case. A case in which he had complete insight into his distance from reality, but made no effort to bridge the gap. A paperweight of unhealthy defense mechanisms had him trapped, and the swirling mass within the paperweight was slowly psychically and emotionally asphyxiating him, but he made no effort to pry himself free and find his own.

Now, there’s nothing in this world more fascinating than an intelligent fool, and by that definition, Nathaniel was the most captivating man in the world. He’d make the same mistakes and then find himself ensconced in a cocoon of guilt where he’d writhe in agony before purging himself of the unhealthy emotion and undergoing a painful metamorphosis of sorts. But unlike the Butterfly that dazzles us while it’s with us with its jubilance and effervescence, Nathaniel would regress again once he stumbled upon the same obstacles. But the truly fascinating aspect of all this was that Nathaniel knew his way around these obstacles, but was helpless in translating his ideas into action.

Nathaniel’s love for June bordered on worship. He believed that they were twin souls and that the loss of one will lead to the death of the other. But there were times when he despised her. He hated her when she didn’t conform to his vision of perfection and loathed himself more for hating her. If colors depicted emotion, then Nathaniel’s affection for June took the form of every hue. He sometimes burned red with passion, felt the green stab of jealousy, retreated to a blue ocean of calm when she was warm, nestled himself in pastures bold and green when he dreamed of brighter futures of togetherness, and thought in black while tears coated his cheeks when he dreamed of the harrowing reality they’d eventually face.

© Nitin Lalit Murali (2019)

Jack and Jill

This is a picture of the stars. In my piece, which is a darkly humorous take on Jack and Jill, Jack looks up at the stars while he has an orgasm and thinks of the big bang. And so, the image.

Jack and Jill were a pair of punks who loved cocaine and BDSM. They cut each other before Jack gave Jill a punitive buggering or vice versa. One day, after a long session filled with tiny rivulets coating both pair of cheeks, blood, and murmurs of orgasms lasting long after the post-coital cigarette, they were dehydrated, and since there wasn’t any water in the ramshackle hut they lived in, and since no store in the village stayed open after 9 pm, they climbed a hill around midnight.

They climbed winding curve after winding curve in the nude, not bothering about the cold draft which froze Jack’s bullocks and hardened Jill’s tits. They finally reached a well, but instead of drawing water quickly, Jack rolled a spliff and took two puffs before passing it to Jill. She did the same and soon found herself bent over the wall of the well, swinging her head like a woman possessed to Jack’s explosive rhythm. Jack looked up at the stars in the sky and shuddered at the infinitude of the universe. He thought of planets, suns, galaxies, milky ways, and parallel universes and thought of the great fulmination that created all of it. At that very moment, his body shook violently, and his essence touched the celestial realm.

Jill, however, peered into the abyss and saw souls writhing in the throes of eternal anguish and screamed in pain and clung to her sanity tightly. But she eventually let go and surrendered to Jack’s every whim and when he touched the celestial realm and packed her with the milk from his loins, she went to the same place and saw it too – the magic, the wood nymphs, the gold, the scintillating light, and layers and layers of beauty. She felt each contour of that place and screamed again. But this time it was in delight.

But the exertion proved too much for the two of them, and Jack fell backward and tumbled down the hill. Jill, frightened and not knowing what to do, decided in an impulse to leap too, and an old crone – who had nothing better to do with her life – recorded a fabricated version of the story in verse where she made herself the heroine who patched the two of them up. But we know the true story and when someone reads this, they will too.

Jack and Jill died before they hit the ground because their hearts stopped. The police then found all the cocaine and sex toys they’d hidden in their hut, but Mayor Green, fearing that the town’s reputation would decline, paid them off, and since the teenagers were two nobodies the incident went unreported.

The old crone’s poem became a hit, and she went on to write many more poems under the pseudonym Mother Goose, and eventually won some prize that Mayor Green displaced in his office. He preened himself on every achievement of his town until his ego was too big for him to contain. And so, he started using some of J&J’s Big C himself. The rest of the story is about a washed up, political has-been who ultimately grew a mustache and became Binky the Clown’s favorite client. But we’re saving those details for another day.

© Nitin Lalit Murali (2019)

Breathe life into me

This is a picture of a grief-stricken man smoking a cigarette. I've used this image because it captures the essence of my post which revolves around sorrow.

What are we but shards of stars, trapped in this paperweight we call existence? A sight to behold, peer into and then placed on the dusty shelf. I’m bruised, and with each uppercut, on the verge of being knocked out. I guess I only dreamed I could trade blows with fate with a Hagler chin. I’m tired of these ashes, this sackcloth. I’m jaded and the pills I pop, which once gave me a false transcendence, now toss me in the lowest rung of the Pyramid. Even your touch, the love you’ve given me seems so far away. I’m silent and put on a façade of strength, because I don’t want to burden you with my demons, when you have your own. But beneath appearances, if stripped down, I’m just ashes, drifting away with the slightest breeze. So, hold me, love me more ferociously, until something within sets the withered canopy that envelops my soul ablaze. Make me feel again, help me breathe again, because I’m standing on the ledge, waiting for gravity to be my last muse. I often want my name erased from Fate’s Gazette: the pictures, the pages and the dates. Give me something to hope in again. I know you’re here, sitting beside me, but you still feel so far away, so distant. And it’s not like I don’t love you, I want to feel it more. I want every ounce of the emotion, each iota of the affection, because without it, I’ll never feel like I’m worthy of you. What are we but crushed love letters – the lines now crossed out – tossed in a basket of what was? Something once cherished, but now forgotten. Look into my eyes and let me look into yours and let something drift both between and within us: some song of beauty that’s woven from melancholia’s time and notation. I’m fading…falling…I need you now more than ever. I know it sounds selfish, but I need you, so that I can reciprocate the same love you’ve given me, the same passion you once grounded me in. So, hold me, breathe love into me, make me walk again, hand in hand into the unknown.

© Nitin Lalit Murali (2019)