Humpty

This is an image of Humpty Dumpty. I've used it because my story is a darkly humorous retelling of the nursery rhyme.

Humpty sat in the refrigerator pondering and pondering, which is pretty much what eggs did. They were deep existential thinkers contemplating on the nature of good and evil, the nature of man and man’s relationship to them. He pondered on metaphysical things like the nature of the eternal yolk, the finitude of the shell and predestination. Why do some eggs hatch and become chickens when the rest are refrigerated? Why am I here? What is the meaning of all this? What does tomorrow bring? He thought. He never quite understood man. He very carefully and gently caressed eggs and placed them in the refrigerator with utmost care, but he’d seen another side. Another vicious side that another poor egg who was now either in heaven, hell, purgatory or the void experienced. Man, just picked him up and smashed him over a woman’s head in rage. He watched in horror as shell broke and yolk spilt. How could man who’s capable of such tenderness do something so vicious? Did man have two yolks, one good and another bad? Or did he only mask his depravity? Humpty thought and wished he could express these feelings, but he had no outlet and he felt uneasy and discomforted when the refrigerator door opened, and a child looked at him before picking him up. Humpty remained mute but his yolk froze. Terror gripped him. It was time to finally experience things and face truth or judgement and he didn’t know what lay before him. He couldn’t express his sheer agony and inner torture. A whirlwind of emotion gripped his yolk. Help! Save! Redeem! He desperately thought when the child suddenly brought Humpty out of the house and he saw the light. The sun. Now, he had some innate knowledge of it but had never truly seen it. He felt warm, comforted and consoled when he was placed on a wall. He was ecstatic. He had inner peace. So, it’s redemption after all, he thought and lost himself to the moment when he felt a slight nudge. He suddenly found himself losing consciousness and experienced severe nausea, and he felt the urge to vomit but couldn’t. He was falling. ‘Humpty Dumpty sat on a wall. Humpty Dumpty had a great fall,’ he heard the child sing. The agony was excruciating. And then he crashed against the cobbles and felt his shell cracking: a small crack before a split and his yolk oozed out. What did I ever do to you? Why do you hurt me? Aaargh! It stings! It burns! I can’t handle it! The pain! Please make it stop! He thought, still unable to express himself. And then he saw the murderous child wearing a crown and carrying a toy horse. He crushed Humpty some more with the horse. Oh God! No! Please! Don’t! He thought. The child then squashed Humpty into pulp, letting the yolk run on his hands. Make it stop! Make this murderous bastard quit! Humpty thought and then he heard a voice of a demon when the child shrieked with glee, saying, ‘All the King’s horses and the King’s men. Couldn’t put Humpty together again.’ And everything faded to black just after Humpty realized that existence is meaningless and embraced nihilism.

© Nitin Lalit Murali (2019)

Well, if you’re really into unrequited love (Part 2)

This is an image of a prisoner. I've used it because my satirical post talks about unrequited love.

I would skin off a car tire for you, and eat it however you wish: Raw, medium or well done. He calls you, “Bae,” and you blush, but I call you my sweetest fragrance that exhilarates the scent of the morning dew to astronomical proportions and you don’t even smile. I have died twice. My first death, when you said that flat, “No,” and the second when you ‘friend zoned’ me. The second is the lake of fire, and here I am spiraling in a vortex of flames; my anguish you’ll never know, because it makes me a corpse on fire, though I still walk with my head bowed, and eyes averting the light of the moon. Oh, wash away this angst with the sparkling showers of your tender honeyed love! Oh, pull me out of this pit of maggots and soothe me with the balm of your essence! Oh, don’t you see, my sweet? Oh, don’t you fathom, my Blue Jay? Oh, don’t you hear, my everlasting sonnet? You’ve throttled me with rejection, while he throttles his shaft: First gear, second, third, fourth and fifth. That is all he’ll give you: white droplets on a dusty floor, while I’ll give you the deepest red. I’ll cut my heart out and serve it on a platter if you’d devour it. Oh, my divine! Oh, my definition! Will you forever leave me with the miasma of eventide forming a noose around my neck? I’ve fasted for your delight, and now emaciated and with soiled pants, I lie in my disgust, while my hands still caress a pen and write you odes. You say, “I might marry him,” and if that materializes, my skin will fade, and the bones will show! Oh, songbird of the celestial! Oh, my muse! Oh, my heart! Must I writhe forever in this lowest rung of hell, while your hands wear the ring of a man who is not aesthetically inclined? An architect who can only draw squares, while I can personify the placid blue and make her the goddess that you are. Oh, I long for you like a caravanserai! Will you not permit me that rapture, even if I’m old? Oh, this is Love in the Time of Cholera indeed, but unlike that pervert, and other secret Lotharios who preach morality and abstinence, only because they’re sexually frustrated, I have kept myself pure for you! Oh, I would abstain even if I had you, because it is your love I seek, my princess! Know, my sweetest carnation that there is no fire in my loins, but I only have the purest soul, rid of all worldliness and lust, which wishes to hear your sublime song, calming me. So please, my jaggery of the sweetest cane, reciprocate, before I die withered and forgotten, outside the gates of your kingdom, a beggar without a cause.

© Nitin Lalit Murali (2019)

Part 1

Well, if you’re really into unrequited love

This is an image of a person trying to escape confinement. My post is a darkly humorous satirical one about unrequited love and hence the image.

His writing possesses no soul, is neither incandescent or luminescent; it is not a fiery stream of emotion that radicalizes you, that makes inspiration within burn brightly like quark-gluon soup, melting away that writer’s block, and filling you with an enraged muse, a thermal weapon of ideas, rhyme and scalding imagery, nor is it cold radiation that makes you introspect, connects you with all metaphysical verse, and slowly and steadily helps you construct that tour de force, that poetic igloo of frosty beauty. You still idolize it though, and that wounds me. I’ve given you everything: made you my muse, poured out my love for you in the form of sonnets, quatrains, or just pure uninhibited free verse. My affection for you borders on manic delusion, and yet it remains unrequited. I said, “I love you,” the other day, and you responded with an “I know,” and I still haven’t managed to decipher whether this is some sort of trial you’re putting me through, some darkness before light that will finally lead to catharsis in the form of grazes, caresses and kisses. Post tenebras lux is my motto now. I hope and wait and drool like some starved mongrel hoping for a morsel, a piece of meat. I meditate upon Gibran’s words of love, but even then, my thoughts only focus on the wounding, the shattering of dreams and the crucifying he talked about, and not on the crowning, the caressing of my tenderest branches, and the ecstasy. The pursuit of happiness, the bettering of self: both spiritually and physically—these things I’ve rendered useless in my struggle to woo you. Why him? I often ask, and ask even now while I write this. He lives his life in a closet: that same wardrobe of mainstreamness that society confines itself too. He hasn’t experienced the ache of being a pariah, an outcast like Gregor Samsa (after his metamorphosis). He has no apple embedded in his back while he scuttles around, and has not reached towards anything outside of a so-called ‘identity’: the same traditional waltz that most people embody. I have lived outside the gates of ‘paradise’—like a beggar—and yet have seen the light of the sun. It blinded me, but in my pain I learnt how to feel, love and carry burdens. How long? How long will you torment me this way? Your affection for him—as beautiful as it might look—is not lucid. I can see that, and that gives me hope, but your indecisiveness, your teetering between us only creates a darkened psalm in my soul: 88 that ends on that tragic, atonal, anticlimactic note. Perhaps I’ve willingly gone and blinded myself; gouged out my eyes so that I may not perceive reality: a cruel one in which you’re a monster who loves this game. Perhaps I’m just a pawn, and I’m about to be sacrificed because your thoughts and ambitions are of some other fabric I’ve never felt. If that is true, and you’re about to play a gambit, let me know; save me the misery of longing, of hoping for a beautiful union of our souls.

© Nitin Lalit Murali (2019)

Binky the Clown

This is an cartoon image of a clown. I've chosen it because my story is a darkly humorous tale of a clown. In this picture the clown is happy but in the story he's ironically not. I've done this because I feel the contrast will add to the humor.

So, you’ve returned. Ha! I knew Binky the Clown will come back to us. You had such grandiose dreams! Pfft! Becoming a CEO, was it? A Michelin Star Chef? I remember when you walked out on us. You acted like you ran things here. ‘It’s my life, and I’m sick of the circus,’ you said. ‘Just you wait and see. I’ll be someone,’ you said. Look at you now. Begging for a job. Why should I offer you one? Give me one good reason Binky? Sure, you’re short on cash, but aren’t we all? The trapeze artist works at a male strip club when he’s not hanging mid-air. Hell, he puts both his life and his dignity at risk. And here you are looking all miserable, begging for another chance. The tightrope walker is a part-time hooker. So, why come here, thinking you’ll get enough? We can’t even buy good meat for the Lions and the mime’s smoking crack. The elephant is unwashed, and he’s temperamental as hell these days. Hell, the front tooth missing janitor no longer whistles with the spit coating his jaw. But maybe, just maybe I have a job for you Binky. So, there’s a market you see. There are these bunch of sick freaks into clown fetish. It’s called Coulrophilia. They’re usually thick-mustached, lipstick wearing, bespectacled men who keep pictures of Ted Bundy with hearts drawn all over them in their wallets. Dinky won’t do it because he’s handling the Balloons and Jinky won’t do it because he’s covered in his puke most of the time. But I’ll pay you enough if you do it. They’ll want you dressed up, complete with makeup and wearing a pink thong. So what do you say? You up for it. It’ll probably be challenging at first, but you’ll get used to it. Some of them will snort cocaine off your party nose, while others will coat your red, blue or green hair (depending on their preferences) white. You know what I mean. See, you must realize that you brought this on yourself Binky. Now we were a family, and we were doing fine. But you and the knife thrower and the star gymnast just had to leave, didn’t you? You had potential Binky. I saw a tragic-comic sensation in the making. But you just had to go, didn’t you? Well, comedy and tragedy can still meet. And I know you’ll take the job. Your wife’s left you. You can’t stop shooting crap into your arm. Hell, you can’t even talk without a slur. So, sign here and there and remember to wear a pink thong. It’s something they’ve got going in their circle. You’ll find out why soon enough, I’m sure. I don’t want to know.

© Nitin Lalit Murali (2019)