You and I walk past brownstones, the color of rust, the melancholic artificiality endowing us with Plathian muses, making us wish for something more than facades and magniloquent odes lacking the depth and authenticity that only despair forges in the fires of harrowing experiences using a hammer possessed by death-spirits.
You and I walk beneath amber sunsets on potholed roads where buskers cut their fingers on sad but sharp violin strings, and the music’s an ode to obscurity. The call to oblivion is so strong then, and the waspish ache within makes us rage at tyrannical gods and hate humanity like anti-Bodhisattvas. But then a numbing that even an anti-psychotic can’t provide coats our hearts like the paper leaves of Autumn cover the mossy ground, and yes, there’s beauty in not feeling anything sometimes.
You and I perceive existential angst in ways that leave us devoured by madness, but also empathetic, and it’s this dichotomy within us that makes us unique and sets us apart from the half-baked crowd. It’s a roaring silence and a darkened light, but these hackneyed oxymorons don’t really give it justice. It’s the Big Bang of the all the lines we write, a sudden jolt of the consciousness leading to streams and streams of macabre yet beautiful thoughts like black rivulets under the gentle glow of a crescent moon.
You and I know tragedy intimately like Gnostics directly communicating with their gods through mystical experiences. But, this wealth of pain has taught us, even though it severed us from the magnetic throng – ostentatiously attracted to or bitterly repulsed by one another. We’re freaks and vagabonds, misfits and pilgrims with causes augmented by throes.
You and I connect in ways that supersede the yes, no, and okay though the weight we carry differs not in intensity, but in form. We grasp the deeper semantic that forms the undercurrent of good conversation, and we let it carry us to the shores of honesty, which is why we can pause talk today and restore it three weeks from now with the same ardor, and I’d like to believe that’s something precious.
© Nitin Lalit Murali (2018)