Living and dying for you

You should know by now that I love you, even though I hardly say it. You should know by now that I’ll live and die for you, though my tears are dry. If only trial and circumstance didn’t make me hard, if only a cesspool of madness which fate baptized me in didn’t make me unpredictable, if only a vortex of apparitions didn’t carry me away and set me on a shore of agony, darkening each particle of my existence, making me unable to distinguish between reality and chimera, light and darkness, paranoia and angelic hope, I’d give you so much more, and love you with an intensity unparalleled. We’ve woven this story of togetherness and despite each inner window shutting, slowly barring my light, we’re clinging to each other: body to body, mind to mind, soul to soul. But if I’m gone tomorrow: a train wreck of a man with an arthritic mind, unable to grasp the simplest picture of you, I want you to move on. Life gives us hope, despair, recollections to cherish, and echoes of now to clasp and cling to with all passion and ardor, and in this moment, I’m crazy about you.

© Nitin Lalit Murali (2019)

Meeting November

This is a a picture of a meadow during Autumn. The picture embodies nostalgia and heartbreak to me. It complements my piece.

My love, life, dreams and fond reflections always meet November – the season of cinders, a period of transition between Autumn’s ripe melancholia and Winter’s mist and rattle. Didn’t I lie down beside you just yesterday, holding you in our nudity – skin and core? And here I am, walking the sidewalk and passing the throng – bearded, distinct, peculiar and still unnoticed. Walking on the mud, skirting the litter, and making sure I don’t step on that mongrel – sleeping, and oblivious to our lives that revolve around the clock – and pausing at the ramshackle cigarette shop, I pay the man for a few Marlboros. Didn’t yesterday give me lucidity? Didn’t each kiss shared, and the laughter that echoed in our space give me felicity? Well, I’m back in my zone now, the old inner ruckus – thoughts brawling like drunken football hooligans, and I guess a swig from the Old Admiral in the fridge lulls them. And then bloodied, they suddenly stop and erupt into rhapsodies of praise – a little bent, off-tune, interspersed with lilting and yodeling. Didn’t each sob when you took me in to our tempo, each sigh of euphoria when we reached that penultimate phase – before that deep moan of ultimate satisfaction, making us forget everything – tell me that here’s a woman to live and die for? But I’m just existing now, or maybe I keep regressing to some pre-existing state, huddled up in some fetal position, before birthing myself now and then for a smoke while the floor’s drenched with the blood of my brokenness, and the umbilical cord from this thing we call life lies severed and thrown in the dustbin.

© Nitin Lalit Murali (2018)

Gomorrah

This is a picture of a cracked pavement. To me it represents the road sufferers from mental illness are forced to walk on. It's tough and excruciating.

My mind is a post-apocalyptic wasteland, riddled with disproportionate, cracked pavement ideas, and a consciousness like a filthy graveyard or derelict buildings, burning and crumbling. There are no verdant valleys here. I’m plagued by trauma and guilt, and crude madness blaming me severely for pathos that isn’t always my own. I hear echoes of lines straight from The Fall by Camus telling me that I’m responsible for all the misery I’ve seen, caused or endured; asking me to confront my duplicity. I only see my reflection in concave or convex mirrors giving me an out of shape picture when I look within. But through it all, you hold me, and our insatiable passion for each other isn’t always delicate with a childlike charm. We often go through the throes of lovemaking – the pleasure and the pain – even when we’re not entwined, becoming one. It’s difficult to distinguish love. It isn’t just feeling, though without it, it’s just cold false zeal. Perhaps, love is feeling backed by severe effort: a struggle to find in each other what’s unsayable, irresistible and luminous. A fight despite sweat and blood, and angst and grief. Whatever it is, it creates a balance, helping us move forward through November’s twilight. And perhaps one day Gomorrah will lie, reduced to ashes, but I’m more thankful that I’m in love with you.

© Nitin Lalit Murali (2019)

For RDP Monday

Clinkers of despair

This is an image of people walking on a street. It conveys the wealth of experience that life brings us. My prose poem examines just that from an angle of a relationship

The moon with her muted, ashen light partially illuminates my path, filled with clinkers of despair and hankering – an off-time, off-tune sequence with a murderous coda. I pass withered Jacarandas, hoping that I’ll find you after this battered car or after walking past the smog that coats the splintered sidewalks. I look yonder and see the mist coated peaks with snowflakes cascading. I dust off the grime that clings to me and keep walking though I look grey and everything looks like cigarette ash. I fucking love you, and I ask myself if the recollections and echoes of memories are worth the effort. But I’ve flipped this coin so many times before, over the years and regardless of how it falls, I can’t rid myself of you. You’re the green, vivacious wine that creeps over each broken, disjointed wall that personifies a fractured me. When we made love, did you only think of the now and completely discard the after? Was it something transient, and did the nirvana to the rhythm of that soft snare, slowly building up with the double bass and tom-toms and hi-hats mean nothing to you? I often think I need an exorcism – strapped, while a priest chants and rids me of you, but having loved you with the unmitigated desire of the Flame of the Forest, dancing to breezes of togetherness, having kissed you and having slowly slid down your neck and having gently bit you with both unparalleled sorrow and the pleasure of maniacal ardor, having slowly and fiercely found us on that peak I finally met after a long taxing sojourn makes these tough moments worth it, and gives me a plethora of new dimensions to explore, hoping one day they’ll be mine.

© Nitin Lalit Murali (2019)

You and I

This is a picture of a railway track running through a beautiful wood during Autumn. There's a delicateness about it which complements my romantic prose-poem

I don’t want to place what we’ve built in a shoebox: parading our affection with embellishments like picture perfect Facebook lounge bar shots, or relationship statuses with a hundred likes, giving us reinforcement. No, I’d rather keep our little home, nestled in a reverie that only we know about, where passion echoes, and subtle grazes actually mean something substantial, carrying a depth like lines of well written poetry personifying the muted moon, and its soft reflections on the gentle tide – the ebb and flow stitching the iamb, and steadily building up the pentameter. You and I both know that what matters more than blood poured on a page is the actual give and take off-screen, the real absorbing and reciprocating when you’re sitting across me, and your laughter and your delicate smile giving me inner opulence and helping us both compose this ethereal sonata, notation after notation, bar after bar, and its beauty breaks dawn, makes the songbirds chirp, coats the leaves with dew, and scents the faint drizzle with petrichor. And with each tug of spring, the colors of effervescence bathe us, with each glow of summer, the waves of ecstasy overwhelm us, with each crunch of autumn, august serenity envelops us, with each mist of winter, a solitude of togetherness, keeps us huddled, comforted by blankets, naked but warm, skin against skin. I don’t want to constrain us to just the seasons or color though, because a plethora of underlying semantic makes this thing we call love, and yet when stripped of its bark, it’s vulnerable and simple, and I guess that’s a paradox we’ll never understand, and so, we’ll just keep loving each other, stripping our essences to bare minimums and yet finding in each other maximums.

© Nitin Lalit Murali (2019)

Forever and always

This is a picture of a lonely autumnal cottage. It conveys deep despair and loneliness.

When you read this, I won’t know if you’ll be shocked or just subdued. I won’t know if you’ll think I took the coward’s way out or had the courage to do something most people only dream or talk about. Life is filled with tragic curves and barely guarded hairpin bends and there’s only so much I could climb. You’ll ask yourself if what I did was the most selfish act someone can commit or if I said what I needed to, did what I needed to, left behind both rapture and devastation and quit on my terms.

Each day felt like an inner concentration camp, gripping my soul and squeezing hard, crushing my will and slowly and steadily I became a slave to forces beyond my control. I tried explaining this to you and if one person got me, it will always be you. But words are both spoken and unspoken and the latter always resides even after you think you’ve purged it all out. I felt like I was being a burden, a curse and a shame; thriving on my self-pity like a leech on blood; growing fat, drinking the blood of sorrow, and by and by I needed freedom and though I smashed the trapdoor with my fists, clawed at it even; it refused to open, and day became night and night became day and I lost sense of purpose like a walking cadaver doing his duty.

But I kept at it, until fate wrung me dry of emotion, and apathy kills darling, but also gives a man courage. I didn’t want to fake love, to fake sorrow, to fake that you meant something long after my heart grew cold. I wanted you to mean something always because nobody else gave a damn, nobody else fucking cared. I’ll remember your passion, vulnerability, elegance and fierceness if there’s an afterlife where sorrow lies defeated and we drink from the waters of beauty and rest on the shores of inner quietude.

Now, I don’t expect you to understand. And even if you do, I don’t expect you to forgive me. I love you and though they’ll say, “He never meant it because love translates into action,” and they’re right, I just want you to move on, to exorcise yourself of me if necessary. If what I did is cruel, then use it against me, but let me go right there. If what I did is difficult, don’t try solving that puzzle. If what I did is spineless, then remember me for being yellow and nothing else. I wish I could explain more but I can’t. I write this with dry tears and a dead soul and if that sounds harsh, remember me for being evil and for not walking hand in hand with you, and breaking ‘forever and always,’ even though paradoxically you are forever and always.

© Nitin Lalit Murali (2019)

A sestina of madness

This is a picture of one man rowing. There's nobody else in the picture and it's in black and white. It represents acute despair.

I walked beneath a Maple tree arch
and knew appeal and something crimson:
the Painter’s flourish still surviving
despite the architect’s fierce madness;
returning I saw trees hacked: corpses
and gave up hoping for love and peace

They stood with candles wanting some peace
below a gaudy, dazzling false arch
and now we see the terror; corpses
the earth weeps since it’s not Fall’s crimson,
it’s finitude’s severe sheer madness
until no life is left surviving

I thought she loved me: we’re surviving;
thought life will give us solace and peace,
we just tore everything in madness,
we now live under a subdued arch,
love is soft, never something crimson,
these rings we wear now look like corpses

My friends are now remote, just corpses,
I thought we’ll walk this path, surviving
these tests and pains that just seem crimson,
perhaps I trusted in devout peace:
felt we’ll all race beneath a strong arch;
those cotton candy dreams are madness

I trusted my will till the madness
attacked it, left poetic corpses,
I stood beneath a perilous arch
and only thought I was surviving
until it dawned without intense peace –
the sky had turned a wintry crimson

My fate is sealed and only crimson,
I try but cannot fight this madness,
a mind cast down by war and not peace,
thoughts in the mud: they look like corpses,
I’m tired of fighting and surviving,
I only stood beneath a lost arch

I walked beneath a Maple tree arch,
the painter’s flourish still surviving;
returning I saw trees hacked: corpses.

© Nitin Lalit Murali (2019)

I cannot make promises I can’t keep

This is an image of a path in the woods. I've used a picture of nature because my poem draws heavily from nature. The image adds to the realistic feel of the poem.

I cannot be your whimsical country cottage
with its beige roof, stone walls, and chimney,
against a breathtaking backdrop of Rainbow
Eucalyptuses with their postmodern barks:
The home you can retreat to whenever you
seek solitude,
I cannot be the solitary boat on the calm sea:
The one that always points you
to a saddened, Autumn-hued horizon
thereby empathizing with your every sullen state,
I cannot be the archway of cotton wool trees
under which you walk on a carpet of white clouds:
The winter vacation you need when it’s hot, humid
and unbearable to live with yourself,
I cannot be the layered tea-plantations in the drizzle
like pyramids, only natural and alive:
The elegance you suddenly desire
after a day like watery coffee,
you must understand darling that I’m flawed and finite:
just dice thrown not knowing where it will land
or what it will show,
a mote of dust sometimes suspended in the sunbeam,
a freshwater pearl that isn’t that valuable,
and you cannot expect a love that surpasses me,
because even the most beautiful people in one’s life are tragic,
but know this:
whether we’re ramshackle huts or idyllic bungalows,
whether we listen to the cock crow or the silence of the stars,
whether we’re eating in silence or walking hand in hand,
I can be the oak you rest under,
not always comfortable to touch, aging, losing its luster
and one day gnarled and leafless.

© Nitin Lalit Murali (2019)

What goes around comes around

This is a picture of lightning. I've used it because it complements the fiery style of writing I've used in this post.

Back then, I endured every insult you flung at me like poisonous darts and let myself be humiliated.

I spent years wallowing in self-pity because of your mockery and wanted your life to break into pieces like a flimsy porcelain plate hurled to the floor. I wanted revenge. I wanted you to feel pain – raw, real, debilitating, destructive pain.

But then I realized that revenge gets one nowhere and is not mine to take. I learned from my mistakes and triumphed over the bitterness that scalded my heart like hot water searing flesh. My rage became quiet sorrow. My self-pity became apathy, and my hate became love.

I realized that you would sooner or later fall into a pit and I didn’t need to wish for it. And I was right. You built those sand castles and dreamt that they’d last because you ‘believed’ that you’d used onyx and graphite when you’d constructed them. But look at them now – rubble and debris intermixed with the piss of the very people you thought admired you. They couldn’t withstand the first sweep of the waves.

You thought you were a Daenerys Targaryenesque ‘Mother of dragons,’ who’d crush her enemies in one swoop and rule on ‘The Iron Throne,’ but look at you now – the commoner’s laughing-stock, raging and ranting at the air.

You made a ‘list’ of the men you ‘believed’ you’d date – regardless of if they felt the same way about you or not – and said, “You were never on it,” when I politely asked you out, even though you were crazy about me in college. You said it out of pure maliciousness and a want to wound, but look at you now, unable to keep a marriage and trying to win everybody over with lies about your husband.

I guess you realize now that it’s painful to have a heap of garbage thrown at you. And I sincerely hope you’ve snapped out of a dream where nymphs, fairies, and elves adore and crown you. I sincerely hope that you’ve realized that we’re all placed here to suffer and to endure because enduring pain and torment produces the fruit of perseverance which is so missing in the millennial.

I wish you well and hope you transform into someone beautiful because I know that every person can be beautiful. They only need the courage to face their vices. Redemption lies waiting beyond sorrow’s turbulent sea, but you’ll need to row as hard as you can, enduring the harsh rain and the ugliness to find the promised land.

You’re now in a blurry place where naiveté meets realism. Cross over to the real side and realize that even though there’s nothing much to start with, there’s still something more than a cup full of maladaptive dreaming.

© Nitin Lalit Murali (2019)

Kaleidoscope

This is a black and white image of a couple holding hands and walking on the beach. The lack of color represents a flawed togetherness with its ups and downs which is the essence of love.

I know looking into your heart is like looking into a kaleidoscope, or maybe that metaphor’s a little showy, but I’m running with it for now. So, I look and find all these abstract patterns – bright and colorful, each representing a lover or a fling, and at the periphery, I find those one-night stands or slipshod ten-day sex without mental stimulation romances, but then I progress and find these blue patterns of a year or two-year old romances with ideas of a person or who you wanted them to become, and I guess that’s why they’re dreamy and resemble a hazy sky with abstract clouds, but then I’d like to find myself at the red core, which isn’t as vague as everything else, but not absolutely clear either, because darling, you and I know, that no relationship’s perfect.

Sure, I could bring you flowers this morning, and make you bacon and black coffee in that big glass, without sugar, just the way you like it, and then press you against the wall, while the hair you just did, cascades, and I know you like that – a morning taste of what’s coming, and then in the evening we could do the clichéd walk in the park, or a movie together, or laser tag.

And then, once we’re home, I could slowly unhook your bra (you know I’m good at that!) and then you could pull my shirt off, look at my scar, which you love for some strange reason, even though it’s this nasty keloid that looks like they sawed my stomach into two, and stitched it together, which they did, when I think about it.

And then I could kiss you on the neck and slowly, steadily and stealthily climb down, inch by inch, while you arch your back, and sigh, and before we know it, we’d be reaching for something so very electrifying; galvanizing each other with stimulation that isn’t purely physical, but emotional, psychological and surreal, and then exhilarating and relaxing, teasing and tantalizing in a way that’s not overtly flirty, but ‘mystical,’ if you like the term, and then, we’d find the warmth of two hearts beating as one, and each kiss that embodies a crazy, deep, insane rich feeling: the same red at the core of the kaleidoscope.

But that’s today, and tomorrow we might feel like doing nothing except slightly kissing, with the same emotion, but then the day after, something trivial might spoil things for a few hours, and hence, even at the core, what we have is never perfect.

We’ll always fall short of perfection, and then embrace the beauty of a perfect, almost-perfect togetherness, and I guess it’s just this thing we call love.

© Nitin Lalit Murali (2019)